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The Ike Reilly Assassination
Sparkle in the Finish
(Rock Ridge)
First Appeared in The Music Box, November 2004, Volume 11, #11
Written by T.J. Simon

Chicagoan Ike Reilly’s 2001 solo debut Salesmen and Racists received
widespread critical acclaim and was an artistic triumph by any standard.
Unfortunately, the wheels of commerce did not agree, and as a result, Universal
Records sent Reilly packing due to underwhelming sales figures. Thus ends any
semblance of "artist development" among the majors, and with that in mind,
Reilly has reinvented himself as The Ike Reilly Assassination ("The IRA") for a
fresh start with a new indie label. His first endeavor under the new moniker is
Sparkle in the Finish, which showcases much of the same power, wit, and
raw enthusiasm displayed on his previous effort while drawing from a similarly
varied set of influences that includes Paul Westerberg, The Clash, The Rolling
Stones, and The Pogues.
Nearly half of the tracks on Sparkle in the Finish were recycled from
an EP sold at Reilly’s shows over the past several years, and these tend to be
the album’s strongest cuts. The disc’s opener, I Don’t Want What You’ve Got (Goin’
On) is delivered in a rapped rhythm with great lyrics and a chugging beat.
Whatever Happened to the Girl in Me? finds Reilly delivering party-rock
hooks, and Garbage Day is a Pogues-worthy drinking song. On The Boat
Song (We’re Getting Loaded), Reilly is at his pissed-off best as he lists
all the people in the world that he’d like to ship off to sea, and the finest
tune is a raw rocker titled Holiday in New York, which features Celtic
elements, a driving drumbeat, adept keyboard playing, and crisp, punchy vocals.
Unfortunately, many of the newer songs fail to rise as high. The
overly-ambitious It’s All Right to Die suffers from awkward cadence
changes between punk and folk styles and a misguided call-and-response
conclusion. Elsewhere, the whispered vocals do a disservice to The
Ex-Americans, and Reilly’s attempt at blues on Ballad of the Choir Boy
Bank Robber never gets off the ground.
There’s little doubt that Reilly is a poet of Dylan-esque lyrical abilities,
and it’s clear that he’s an intelligent writer with a lot to say. Six of the 11
songs on Sparkle in the Finish rank with the best tracks of 2004, and the
filler on the album is largely forgivable. Furthermore, coupled with top-notch
instrumentation from The IRA, it’s obvious that Reilly’s dismissal from a major
label hasn’t hurt his ability to compose some staggeringly good rock ’n‘ roll.    
Sparkle in the Finish is available from
Amazon.com. To order, Click Here!
For Canadian orders, please
Click Here!
For UK orders, please
Click Here!

Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!

Copyright © 2004
The Music Box
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