Mark Knopfler
Shangri-La
(Warner Bros.)
First Appeared in The Music Box, December 2004, Volume 11, #12
Written by John Metzger
It’s been quite awhile since Mark Knopfler has sounded as relaxed as he does
on his fourth proper studio effort Shangri-La, but his arrangements are
so unassuming that, at first glance, all but his most avid fans are likely to
become disengaged long before the set has drawn to its conclusion. That’s a
shame, too, because his performance throughout the collection is impeccable, and
beneath his subdued, folk-pop musings rests the loveliest batch of songs that
he’s recorded since Love Over Gold. For the most part, the tunes on Shangri-La unfold slowly, blowing past like whispers in the wind, and it’s
only on occasion — the percolating groove of Postcards from Paraguay, the
organ-drenched breeziness of Everybody Pays, the churning blues of Song for Sonny Liston and Donegan’s Gone, and most notably, the
chugging pub-rock of Boom, Like That — that they become, relatively
speaking, a bit more gusty. The problem, then, is that over the course of the
album’s 66 minutes, Knopfler’s many muted statements begin to blur together, and
one becomes lost within his deep baritone as well as his sparse, ethereal
accompaniments. In truth, Shangri-La is not a simple collection to grasp,
and as a result, it’s an outing that requires the utmost in perseverance from
the listener so that each track is given enough time to reveal its ambient
beauty. Indeed, this is an effort that might have been better suited for the LP
age when four album sides offered a more digestible format for works as
laborious as this initially appears.
Shangri-La is available from
Barnes & Noble. To order, Click Here!
Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2004 The Music Box