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Phish - New Year's Eve 1995: Live at Madison Square Garden

Phish

New Year's Eve 1995:
Live at Madison Square Garden

(Jemp/Rhino)

First Appeared in The Music Box, January 2006, Volume 13, #1

Written by John Metzger

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Arguably, 1995 was the beginning of the end for Phish. Granted, the band unleashed numerous outstanding shows in subsequent years, but it also found it more and more difficult to cope with the influx of wayward Deadheads and other hangers-on that gravitated to its surrounding scene after the passing of Jerry Garcia. Although the ensemble tried to make the best of the situation — by staging massive, weekend-long festivals for its fans in out-of-the-way locales — its pockets of inspiration grew further and further apart. In short, as Phish found itself confined within the impersonal atmosphere of its large arena tours, its concerts became increasingly formulaic and less adventurous. Therefore, the recently issued three-CD set New Year’s Eve 1995: Live at Madison Square Garden is a momentous slice of history that finds the group poised upon the pinnacle of its career. Mixing its whimsical goofiness and Gamehendge mythology with intriguing cover songs and mind-bending improvisational excursions, the endeavor effectively portrays the full-range of the collective’s essence.

There’s little doubt that some aspects of Phish’s repertoire are an acquired taste, and, given that its concerts were tied theatrically to the moment in which they occurred, its performances frequently didn’t translate fully to a home-listening environment. Indeed, there are portions on New Year’s Eve 1995: Live at Madison Square Garden that quickly grow tiresome and tedious: the audience "chess match," the "time laboratory" skit that was tucked inside Fly Famous Mockingbird, the elongated countdown to midnight, the jokingly delivered rendition of Collective Soul’s Shine, and, to a lesser extent, some of its well-scripted, progressive rock textures, for example. What stands out, then, and makes the set worthwhile is the manner in which the band transformed many of its classic songs — particularly the frolicking Runaway Jim and the phantasmagorical You Enjoy Myself, though the supercharged lysergic sprawl of Mike’s Song, the frenzied spiral of Maze, the melodious drive of Weekapaug Groove, and the seamless fusion of The Who’s Drowned with its own Lizards were equally stellar — into sturdy vehicles for improvisational expression. After all, it’s when the ensemble cut the music free from its moorings and allowed it to stand on its own as an interactive conversation that it created something that was wholly captivating and utterly durable. starstarstarstar

New Year's Eve 1995: LIve at Madison Square Garden is
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Ratings

1 Star:   Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!

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