Backstage Pass
An Interview with Willy Porter
Part Two of Two
First Appeared in The Music Box,
June 1998, Volume 5, #6
Written by John Metzger

Willy Porter is a talented singer, songwriter, vocalist, and guitarist from Milwaukee, Wisconsin.
His two albums -- The Trees Have Soul and Dog-Eared Dream -- give a good overview of
his many talents, but amazingly they only begin to scratch the surface. The
first part of this interview appeared in our May issue and dealt with his beginnings in the
music industry and the recording of his first album.
Dog-Eared Dream
Paul Perrone, who provided the drums and percussion on The Trees Have
Soul, moved to Hawaii to pursue a graduate degree. In 1992, Porter brought in his high
school friend John Calarco to fill in for Perrone. Porter stated, "I was doing a solo thing, and I
had asked John to come and sit in at some shows. We really connected."
Several bass players came and went before Calarco and Porter hooked up with Steve Kleiber. "He
had been playing with Keedy at the time," Porter explained. "[Keedy] was sort of Arista's attempt at
a Madonna-type thing, and so he was very frustrated and bitter with the music business. He was the
perfect guy for our band."
This trio formed the foundation for Porter's band, which, over a twelve day period in 1994,
recorded the more polished, but equally inspired Dog-Eared Dream.
Porter wrote in the liner notes for the disc, "The sessions were punctuated by the bells of the
nearby church, as well as the recess schedule of the first through third graders at the adjoining
school."
Dog-Eared Dream became the first national release for Porter, attracting the attention of
radio station WXRT in Chicago. In March 1995, WXRT
invited Porter to perform the middle set of a three-band free concert at Chicago's Vic Theater. The
opening band was The Dark Horses, featuring Gregg Allman's son, and the headliner was Blues
Traveler. WXRT also added three of Porter's songs -- Angry Words, Rita, and Cool
Water -- to their regular rotation.
"Radio's been great to me, and I'm very grateful," said Porter. "Radio stations probably get a
lot of music that they would like to play, but understanding their listenership, they just can't
force-feed it. Chicago is a really rare town. People in Chicago are spoiled because WXRT is a unique
station. [They have a] very unique programming stance that many radio stations in this country can't
get away with because they don't understand their listeners and because they don't respect them as
much as they should."
Porter, Calarco, and Kleiber, augmented by a variety of musicians, toured together regularly
through the end of 1997. The first incarnation included musicians from Madison, Wisconsin. The first
was Biff Blumfumgagne, an incredible electric violin player who has since formed his own band -- The
Reptile Palace Orchestra. The second was keyboardist Dave Adler, more widely known for his
improvisational comedy with The Annoyance Theater in Chicago.
Both Greg Koch and Jim Eanelli took stints as lead guitarist in Porter's band before he settled
on the most current incarnation, which features Calarco, Kleiber, keyboardist Matt Meixner, and
Porter in a lead rhythm role. Porter explained, "I've never been a big fan of guitar solos, so if
someone is going to take one they had better be a good player. That's why I brought in [Koch and
Eanelli] who were the real guns. [Now that they've left] I think there's a little more space and a
little bit more interaction [among the remaining band members]. There doesn't seem to be as much
competing for rhythmic or melodic space. It's a very cool band. I'm hoping that they will stay
together long enough to do this next album. [Calarco is] moving to New York, so there's some
uncertainty there. He may end up doing a couple of tours and some other stuff before we can record,
but I'm hopeful that he won't get a big gig for a minute or two so that I can still work with him."
Current Projects
Lately, Porter has been extremely busy. Throughout the first few months of 1998, he performed a
number of solo concerts in the Midwest and also completed a mini-tour of Wisconsin with bassist
Steve Kleiber. In April, he picked up two Wisconsin Area Music Industry awards for Male Vocalist of
the Year and Songwriter of the Year. In May, he began a six-week tour, opening for Vonda Shepard.
He's also been working on three separate recording projects -- two of his own and one with Tori
Amos.
Tori Amos' latest album From the Choirgirl Hotel is scheduled to be released on May 5. She
recorded 35 songs for the disc. Porter stated, "I played on four tracks. The songs felt great. She
had assembled a really cool band with Matt Chamberlin who [played drums] on The Wallflowers and the
Fiona Apple records. He's done a million other things too. George Porter from the Funky Meters is
playing bass."
The final result was an album of 12 songs -- only one of which includes Porter. He joked, "For
all I know my stuff will end up on the editing room floor, [but] the tunes are great, so I think it
will be a very cool record. It's pretty cool to have the opportunity to work with her."
Porter had met Amos when he performed a solo opening set for her 1996 tour, and it is the
recordings from this tour that will form the basis for his next project. Said Porter, "I was touring
with Tori Amos, and her sound crew was kind enough to record a lot of the shows. I think there will
be about 8 songs on this live [album]. It will be more of an EP."
The album will consist of solo versions of previously released songs as well as some material
that has not yet made it onto a studio album. The project came about because many fans had seen
Porter's solo performances and requested that he release some of the alternate versions of his
songs. The solo versions are often quite different from those that appeared on his albums, and his
guitar has plenty of room to sing and blend with his voice. Of course, there's also a whole host of
outstanding songs (from the mantra Breathe to the soaring Seagull to the driving
instrumental Roadbone) that have not yet been recorded, and hopefully some of these will make
the final cut.
Added Porter, "I've been through a lot of weird business turmoil, changes, and stuff with my
record company (who I'm not longer with). Because I couldn't release an album for a long time I
wanted to put this live album out in lieu of another studio recording."
Unfortunately, Porter has since stated that he was unable to pull together enough material from
the Tori Amos tour to complete the album. He has now begun to pour through some additional
recordings and hopes to release the disc through his
web site and fan club, sometime this month.
Finally, Porter is in preparation to record a new studio album. He had begun to lay down a few
demo tracks with his band last Fall, but the ensuing dispute with his record company, which revolved
around artistic control, has caused much of the hard work to be scrapped. Said Porter, "I think I'm
going to have to start over. Some of the tracks were sounding really good too. It just wasn't a
really good marriage between myself and the record company. I definitely want to be able to put out
the music the way I want to put it out whether or not it's as commercial as they want it to be. I'm
in for the long haul so the fewer people that tell you what to do as an artist, the better. If
people don't like it, that's fine but you owe it to yourself to be honest with yourself. You've got
to live with yourself."
Porter plans to begin recording his third studio album this month. Once it is completed, he will
begin his search for a record company that is willing to release it under his terms. If all goes
well, he is hoping that the album will be released before the end of the year. In the meantime,
he'll continue doing what he does best -- writing and performing honest, down-to-earth music from
his heart. He certainly can't go wrong with that strategy.
Dog-Eared Dream is available from Amazon.com.
To order, Click Here!
For UK orders, please
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Copyright © 1998
The Music Box
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