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Coleman Hawkins
The Hawk Flies High
[Keepnews Collection]
(Riverside/Concord)
First Appeared in The Music Box, July 2008, Volume 15, #7
Written by John Metzger
Wed July 23, 2008, 06:30 AM CDT
Anyone who believes that the problems with the major label system are a
product of modern times is seriously mistaken. Long before executives in the
record industry were meddling with the artistic pursuits of rock stars, they
were tampering with the creative decisions of jazz artists. Much like today, it
was left to independently operated start-ups to push the boundaries of what was
acceptable and instigate whatever shifts in perspective were needed to keep
things interesting. In other words, the more things change, the more they seem
to remain the same.
For decades, Coleman Hawkins had been widely recognized as the man who was
responsible for making the saxophone a mainstay of jazz ensembles. Once he had
achieved success as a performer of ballads, however, he was sequestered into a
predefined mold by his partners in the music business. Consequently, when Orrin
Keepnews, co-founder of Riverside Records, approached Hawkins about the
prospects of recording whatever he wanted with whomever he wanted, the tenor
player jumped at the opportunity to redefine himself.
Working with a seven-piece band that mixed industry veterans with relatively
unknown commodities, Hawkins captured, over the course of two days in March
1957, the tracks that were fused together to form The Hawk Flies High.
Not only did the album demonstrate greater range and diversity than most of
Hawkins’ efforts, but it also made the case that he wasn’t yet ready to cede the
spotlight to up-and-comers like John Coltrane and Sonny Rollins.
There’s no question that The Hawk Flies High is a historically
important set of material. At the same time, though, it didn’t completely
translate the possibilities that it represented into reality. Over the preceding
years, the members of Hawkins’ assembled entourage had plenty of opportunities
to connect with one another through an array of other outfits. While familiarity
certainly helped to elevate the endeavor and keep it on a consistently even
keel, the collective as a unit lacked the finely honed chemistry that a regular
touring outfit would have had.
Nevertheless, throughout The Hawk Flies High, Hawkins revels in the
forum that Keepnews wisely made available to him. His solos are vibrant,
playful, and edgy, but often, he doesn’t obtain the level of interactive
dialogue with his band that would have made the set a certifiably classic
recording. Consequently, Blue Lights is nothing more than a round robin
for the soloists, and lovely as it is, the ballad Laura feels constrained
by its arrangement.
Not surprisingly, the best moments on The Hawk Flies High occur
whenever Hawkins and his collective relax and follow the material wherever it
leads. The unity of the rhythm section, for example, truly shines in the early
stages of Juicy Fruit. Employing a technique known as circular breathing,
trumpeter Idrees Sulieman unleashes a lengthy, single-note blast from his horn
that easily could have been the death knell of the tune as well as the album.
Behind him, however, the band manages to build significant momentum around Juicy Fruit’s loosely swinging groove, and Sulieman subsequently launches
into a lively solo from which everyone else takes their cue. Likewise, the
set-closing Sanctity is so giddy and joyful that it stands as the most
compelling track on the endeavor. Naturally, it’s here, within the exuberance of
the final cut, that the deficiencies of The Hawk Flies High as well as
the astounding potential of Hawkins’ new group clearly come into focus.  ½
Other Keepnews Collection Releases
Nat Adderley - Work Song
Joe Henderson - Power to the People
Thelonious Monk - Plays Duke Ellington
Wes Montgomery - The Incredible Jazz Guitar of Wes Montgomery
Sonny Rollins - Freedom Suite
McCoy Tyner - Fly with the Wind
The Hawk Flies High is available from
Amazon.com. To order, Click Here!
For Canadian orders, please
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For UK orders, please
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2008 The Music Box
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