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Warren Haynes Presents
The Benefit Concert, Volume One
(Evil Teen)
First Appeared in The Music Box, June 2007, Volume 14, #6
Written by John Metzger
The main attraction to benefit concerts as well as to festivals doesn’t stem
necessarily from the wide-ranging talent that is assembled. Rather, it’s the
potential for seeing once-in-a-lifetime, in-the-moment collaborations among the
artists involved. More often than not, these events have a tendency to live and
die based upon the success of these spontaneous interactions. In that sense, the
11th annual Christmas Jam — which was held at the Thomas Wolfe
Auditorium in Asheville, North Carolina on December 22, 1999 — certainly was one
of the stronger and livelier happenings.
Not only did the show boast five main acts — Edwin McCain, The Derek Trucks
Band, Susan Tedeschi, Cry of Love, and Gov’t Mule — that were highly
complementary of each other, but it also featured an array of special guests —
including Col. Bruce Hampton, Jimmy Herring, Johnny Neel, Larry McCray, and the
legendary Little Milton — all of whom were equally well suited to the
blues-based but jam-friendly line-up. A comparison between Warren Haynes
Presents: The Benefit Concert, Volume One and its successor from the
subsequent year demonstrates quite clearly, however, that there also is an
unseen, unspoken x-factor that can make all the difference in the world.
Granted, at two discs and a two-hour, 15-minute running time, Warren
Haynes Presents: The Benefit Concert, Volume One is a little bloated.
Nevertheless, unlike the second installment in the series, it does a superb job
of capturing the overall ambience and flow of the show. It doesn’t feel quite as
choppy, and the artists are raring to go from the moment that they hit the
stage. Although McCain, Tedeschi, and Cry of Love deftly established the tone
for the music that surrounded them, it was during the sets by The Derek Trucks
Band and Gov’t Mule that the magic truly happened. While their performances were
trimmed slightly, they still were given the bulk of the space on the endeavor,
and the linear presentation of the material makes it easy to hear how the
chemistry between the groups and their guests developed over the course of the
evening.
The Derek Trucks Band, for example, did little with Bob Marley’s Rastaman
Chant and The Meters’ Chicken Strut, but once Jimmy Herring joined
the group during 555 Lake, the music coalesced around the spirited
competition that ensued between him and Trucks. With Col. Bruce Hampton in tow,
the collective soon plunged into the loose, swinging groove of Yield Not to
Temptation, and Susan Tedeschi’s powerful, gospel-soul vocals meshed
perfectly with Trucks’ stinging slide guitar to elevate Turn on Your
Lovelight. Similarly, the give-and-take among Herring, Trucks, and Larry
McCray turned Ain’t That Loving You into a showstopping tour-de-force.
There’s nary a dull moment during Gov’t Mule’s set either. Benefitting
tremendously from guitarist Warren Haynes’ contributions earlier in the evening,
the band needed absolutely no time to warm up. It came out of the gate swinging
as Haynes’ writhing, live-wire lead screamed through Mule, while Allen
Woody’s throbbing, propulsive bass lines seemed to spur him onward. With each
passing song — from the slow, simmering Fallen Down to the jazzy
instrumental Devil Likes It Slow — the group gained momentum, and by the
time it launched into Spoonful and When the Blues Come Knockin’,
it was flying high, feeding off the free-spirited camaraderie of the assembled
entourage. Because of his untimely death, this was the final Christmas Jam at
which Woody performed, and hearing the telepathic communication between him and
Haynes outlines precisely how much he is missed.  ½
Warren Haynes Presents: The Benefit Concert, Volume One
is available from Amazon.com. To order, Click Here!
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2007 The Music Box
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