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Scott Hamilton & Friends
Across the Tracks
(Concord)
First Appeared in The Music Box, May 2008, Volume 15, #5
Written by John Metzger
Wed May 28, 2008, 06:30 AM CDT
Having recorded some 40-odd albums in the past 30 years, it’s safe to say
that saxophonist Scott Hamilton has become something of an industry veteran. His
latest effort Across the Tracks proves that his perseverance has paid-off
handsomely. Not only has Hamilton’s approach matured quite nicely, but also,
despite his prolific nature, he apparently still has quite a lot left to say.
Right from the start, it’s clear that Across the Tracks looks backward
rather than forward. In fact, as he has been throughout his career, Hamilton is
rather unapologetic about this notion; naturally, there’s nary a hint of
anything contemporary to be found on the set. Regardless, drummer Chuck Riggs
keeps the rhythms graceful and loose, while organist Gene Ludwig and guitarist
Duke Robillard combine to color the material with groovy, soul-jazz textures.
Doug James also adds his baritone to a pair of cuts on Across the Tracks,
which slightly broadens the sonic spectrum from which the band is working.
Bathed in the warm glow of Hamilton’s passionate saxophone solos, the resulting
music is smooth and polite but not in a bad way.
There’s no question that Across the Tracks was designed to be as
approachable as possible, and like a good pop album, it finds the balance it
needs to succeed completely in its objectives. Its contents are so well-executed
that even those who enjoy more complex arrangements will find it impossible to
dismiss the collection out of hand. Essentially, Hamilton overcomes his lack of
adventurousness by establishing moods that are ingratiating and infectious. The
music undeniably is relaxed and comfortable, and it swings with an untethered,
casual air. At the same time, though, there’s a fire that burns almost
unassumingly deep inside the endeavor. As Across the Tracks progresses,
the sparks and flames that have been ignited by the outfit slowly consume
everything in their path.
From the somber yearning of Save Your Love for Me to the free-spirited
joviality of Something for Red to a sublime cover of Duke Ellington’s Cop Out, Hamilton gently pushes his band, and as the songs’ melodies are
tossed from musician to musician, his accompanists push right back. With his
light touch, Robillard, in particular, is a perfect match for Hamilton, but in
truth, the entire collective spins through the nine tunes on Across the
Tracks with relative ease. This give-and-take ultimately elevates what could
have been a rather mundane collection of material, and although it initially
sounds quite innocuously pleasant, the set ultimately is proven to be addictive
and moving. 
Of Further Interest...
Medeski, Martin & Wood - Last Chance to Dance Trance (perhaps) / Best of (1991-1996)
Soulive - Soulive / self-titled
Various Artists - Cannon Reloaded: An All-Star Celebration of Cannonball Adderley
Across the Tracks is available from Amazon.com.
To order, Click Here!
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2008 The Music Box
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