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Beto Villares
Beto Villares / self-titled
(Six Degrees)
First Appeared in The Music Box, April 2009, Volume 16, #4
Written by Douglas Heselgrave
Thu April 2, 2009, 02:30 AM CDT
Beto Villares’ self-titled debut is the kind of album that can jump-start a
career. Until recently, Villares has been content to remain outside the
limelight, where his emphasis primarily has been on composing film soundtracks
and directing documentaries about his country’s musical heritage. Over the
years, however, Villares also has developed an instantly recognizable style of
recording that is every bit as unique as those of Daniel Lanois and Brian Eno.
Like them, Villares has left his mark on many influential outings by dozens of
prominent artists, including CeU’s Grammy-nominated, eponymous effort.
Listening to Villares’ album is a delightful experience, and one only wishes
that he hadn’t waited so long to release music under his own name. Echoes of
Gilberto Gil’s and Antonio Carlos Jobim’s esteemed canons drift through some of
his songs, as Villares’ gorgeous acoustic guitar takes listeners through some
beautiful bossa-nova territory. In addition, his acclaimed work for other
artists has allowed him to call upon his collaborators for favors. As a result,
his new endeavor features a veritable all-star cast of Brazilian musicians. CeU,
for example, adds her heavenly vocals on two of the disc’s best tracks, and in
effect, Villares has created a brief overview of Brazilian musical styles. The
tunes on the outing range from simple acoustic selections like Incerteza
and Festa Na Roca to upbeat dance numbers such as Excelentes Lugares
Bonitos and Africa La. The latter two tracks pay tribute to the
contribution that African immigrants have made to his country’s musical culture.
Perhaps the most impressive things about Villares’ self-titled set are how he
expresses his musical ideas and how he executes them skillfully without giving
in to the temptations of excess or dilettantism. Throughout the outing, he never
sounds as if he is stretching his work beyond his abilities, nor does it ever
seem as if he has employed a musical style or recorded a solo simply to showcase
his talent. Each of the 15 cuts on Villares’ effort is a gem that stands on its
own very nicely. The melodies are beautiful and catchy, and the instrumental and
vocal performances are superb. Likewise, his songs are adorned with well-suited
horn and percussion arrangements, while the piano accompaniment by Pepe Cisneros
on Santo Negro — another highlight — is simply out of this world.
There is nothing heavy-handed about any of the performances on Villares’
eponymous debut. Even when he applies electronic effects, such as beats and
scratching, to his material, the impressions that he creates are subtly
appropriate, and ultimately, these flourishes improve his songs. In short, the
album is both beautiful and flawless. 
Of Further Interest...
The Bird and The Bee - The Bird and The Bee / self-titled
Various Artists - Putumayo Presents: Cafe Cubano
Various Artists - The Roots of Chicha: Psychedelic Cumbias from Peru
Beto Villares is available from
Amazon. To order, Click Here!
For Canadian orders, please
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For UK orders, please
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2009 The Music Box
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