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Hercules and Love Affair
Hercules and Love Affair
(Mute)
First Appeared in The Music Box, November 2008, Volume 15, #11
Written by Douglas Heselgrave
Fri November 21, 2008, 06:30 AM CST
It’s been a long time since an album like Hercules and Love Affair’s
self-titled debut has broken into the mainstream. After all, most openly gay
artists typically have had a difficult time gaining acceptance. While certain
old-school performers have managed to maintain their careers after declaring
their sexual preferences — Elton John, George Michael, Melissa Etheridge, and
k.d. lang immediately spring to mind — all of these artists also undeniably have
not made their sexual preferences the focus of their work, which instead has
been firmly entrenched in pop tradition.
Based in New York City, Hercules and Love Affair makes no apologies for its
celebration of the gay lifestyle and culture. It takes only one trek through the
group’s eponymous endeavor to realize that it has held nothing back in its
desire to create an over-the-top, retro-inclined dance album that sounds like a
lost, early-disco classic, with dollops of house and art-rock thrown into the
mix. The band takes no prisoners as it embraces all of the baroque excesses of
the club music scene of the late 1970s. Aspects of Kraftwerk-inspired techno and
German pop opera (as championed by the late Klaus Nomi) combine to keep the
project light and fun while still maintaining enough musical and intellectual
integrity to satisfy fans of more serious fare.
Hercules and Love Affair is clearly a labor of love, and most people
likely will be drawn to the album by the appearance of vocalist Antony Hegarty.
Not only is he a Mercury Award-winning singer, but he also is able to give Jeff
Buckley and Rufus Wainwright a run for their money when it comes to range and
vocal acrobatics. If he had not opted to broaden his horizons by pursuing
projects outside his main gig with Antony and the Johnsons, it is doubtful that
he would have gained a sizeable audience outside the fringes of popular culture.
Hegarty’s delivery of If It Be Your Will in I’m Your Man, a
film tribute to Leonard Cohen, surely rates as one of the greatest vocal
performances of the century, thus far. Similarly, his ability to breathe new
life into Bob Dylan’s Knockin’ on Heaven’s Door, a highlight from the
soundtrack to I’m Not There, is nothing short of a revelation. There is
no one in the pop world today who can belt it out like Hegarty. When his vocal
talents are combined with his penchant for staging, fashion design, and
performance art, Hercules and Love Affair emerges as the most stylish and
theatrical band in rock since David Bowie ventured on the road to support
Young Americans in 1975.
Hercules and Love Affair is essentially the brainchild of Andrew Butler, a
New York-based DJ who has been working in clubs since the age of 15. He is the
person responsible for creating the sound over which Hegarty and Nomi Ruiz sing,
and therefore, he should be held accountable for some of the criticisms that
must be leveled against the eponymous album. Once the excitement, glitter, and
novelty of the period-sounding disco endeavor have faded, one can begin to
consider the songs on their own merit. Unfortunately, there is a certain
sameness to many of the tracks, and this is a product of their arrangements.
Disco revivalism in itself is nothing new, and it isn’t enough to sustain
interest throughout the hour-long collection. Bands like Scissor Sisters — which
scored a hit by retooling Pink Floyd’s Comfortably Numb for the dance
floor — have already blazed a lot of the territory that Hercules and Love Affair
explores on its self-titled debut. To be fair, this is a performance art
project, and the touring group includes gay dancer Shayne Oliver and lesbian
designer Kim Anne Foxmann as visual foils. Consequently, the best way to
experience Hercules and Love Affair may be in a club setting rather than via a
home stereo system.
Butler’s re-creation of disco and his attempt to recapture the mood of its
alternative, underground years are certainly interesting and worthwhile at the
outset. Yet, there’s something very calculated and self-conscious about the
ambience created by Hercules and Love Affair, which makes the project rather
grating. It is as easy to appreciate the campiness of the group’s approach as it
is to lose patience with the drum machines and primitive synthesizers. What
would have made a delightful single or EP just doesn’t hold its ground for the
duration of a full-length album. Attempts at revisiting an existing style can be
admirable and breathtaking, but this approach alone provides a terrible
foundation upon which to build a band’s reputation. As a result,
Hercules and Love Affair runs the risk of sounding bloodless and inauthentic over the
long haul.
Whenever the collective relaxes and tosses aside its preconceived script, it
is easier to hear the magic that Hercules and Love Affair is capable of
achieving. With its horn-splashed arrangement, Blind is a perfect
example. Elsewhere, on songs like the industrial-edged Easy and the
experimental album-closer True/False Fake/Real, the group plays with
form, finds real emotion, and demonstrates that it has the chops as well as the
ideas to do something a lot more interesting than its self-titled set otherwise
intimates. In short, Hercules and Love Affair would do better to borrow more
from the collaborations between Brian Eno and David Bowie than from Frankie Goes
to Hollywood.
Hegarty is a singer with few peers, and until he concocts another outing with
Antony and the Johnsons, Hercules and Love Affair’s eponymous endeavor will have
to suffice. Fortunately, Blind is an extremely satisfying excursion. Then
again, Hegarty could sing names out of the telephone book and make it sound
extraordinary. He is that good. 
Of Further Interest...
M83 - Saturdays = Youth
Moby - Last Night
Various Artists - Miles from India: A Celebration of the Music of Miles Davis
Hercules and Love Affair is available from Amazon.
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2008 The Music Box
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