
Catch and Release:
Music from the Motion Picture
(Sony Music Soundtrax/Legacy)
First Appeared in The Music Box, January 2007, Volume 14, #1
Written by John Metzger
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Movie soundtracks can be tricky propositions to assemble. Without the accompanying visuals that a film inherently provides, a stream of songs quickly can devolve into a nonsensical flurry of disconnected music. Rarely, then, do these kinds of compilations capture the magical cohesiveness of a good, personalized mix tape, which makes the outing associated with Catch and Release — the new film starring Jennifer Garner and Timothy Olyphant — an exception to the rule. The entirety of the set unfolds in a single-minded fashion as it explores life and love by linking together material that occupies the sonic space where Death Cab for Cutie’s indie pop intersects with Sufjan Stevens’ indie folk — though, for the record, Stevens himself doesn’t appear on the collection.
Razor, a track that was culled from Foo Fighters’ In Your Honor,
is given a new life as Catch and Release’s opening cut. With its
rippling, acoustic guitar refrains, the song casts a gentle effusion of
currents, both light and dark, as if to mirror the difficult decisions that come
with the dawning of a new day. Throughout the remainder of the affair, the music
subtly vacillates between hope and dejection as the album’s bittersweet melodies
unite to form a colorful, emotional tapestry. On My Drug Buddy, for
example, The Lemonheads concocts a haunting depiction of co-dependency, while
Andrew Rodriguez finds strength by blurring the line between Neil Young’s angst
and Hall & Oates’ blue-eyed soul on the confessional What I Done.
Elsewhere, Alaska! builds upon the ebb and flow of Byrds-ian country (Resistance),
Paul Westerberg revels in his misery (Let the Bad Times Roll), and Gary
Jules updates Cat Stevens’ brand of pastoral, airy folk (Pills). Other
highlights include the Doves’ glorious epic There Goes the Fear; the
spry, elastic groove of Gomez’s These 3 Sins; the perky, harmonic beauty
of The Magic Numbers’ Mornings Eleven; and the twinkling majesty of
Blinker the Star’s A Nest for Two. In most cases, the tunes have been
rescued from an array of solid if lesser endeavors, and the organic nature of
their new sequencing on Catch and Release transforms the set from a
simple movie soundtrack into a survey of the current alternative and indie music
scenes that can stand on its own accord. ![]()
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Catch and Release: Music from the Motion Picture is available from
Barnes & Noble. To order, Click Here!
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
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Copyright © 2007 The Music Box
