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Maps / James Chapman
We Can Create
(Mute)
First Appeared in The Music Box, July 2007, Volume 14, #7
Written by John Metzger
For decades upon decades, artists have been writing songs and creating demos
within the confines of their own bedrooms. Typically, they eventually were
forced to venture into a recording studio, where interactions with other people
became a necessary step toward completing their work. Now that the digital age
is in full swing, however, anyone who wants to record a full-fledged,
professional-sounding album can do so on their own terms, without so much as an
accomplice to provide input. Everyone from Moby to The Streets to Mull
Historical Society has become a virtual one-man show, though the results largely
have been mixed, primarily from a creative perspective.
The latest musician to turn a DIY project into a label-distribution deal is
James Chapman, who, recording under the moniker Maps, has been championed quite
heavily by the ever-gushing British press. In this case, at least, Chapman’s
initial efforts were enough to attract the attention of Valgeir Sigurosson and
Ken Thomas — associates of Bjork and Sigur Ros, respectively. With their help,
Chapman blew the shoe-gazing electronica of his singles up into the 11-track,
52-minute saga of his full-length debut We Can Create.
At first, it appears as if Chapman will escape the insularity that typically
undermines many like-minded affairs. Opening cut So Low, So High, for
example, rides in triumphantly upon a crested wave of giddy beats and buzzing
synthesizers, and Chapman’s voice glides effortlessly over the top of the fray,
like a day-glo Billy Corgan who has awakened from the slumberous depths of his
deepest depression. Two tracks later, Chapman applies a similar approach to Elouise by pitting the music’s percussive atmospherics against the billowy,
psychedelic dream-state from which his vocals seem to spring.
The problem with We Can Create, however, is that, as it progresses,
the combination of Chapman’s electronically throbbing backdrops and his
ethereally wispy keyboard accompaniments quickly begins to sound rather
monotonous. Even worse, when he strips his arrangements bare, as he does on
Glory Verse, the result is both exceedingly dull and claustrophobically
cloying. Although his melodies are pleasing, his arrangements, despite their
initial lustrous density, grow increasingly and tediously generic. Maps’ We
Can Create essentially is a one-trick pony that wears out its welcome long
before it reaches its conclusion.  ½
We Can Create is available from Amazon.com.
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2007 The Music Box
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