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Joe Cocker
Hymn for My Soul
(Fantasy)
First Appeared in The Music Box, June 2008, Volume 15, #6
Written by John Metzger
Mon June 9, 2008, 06:30 AM CDT

Joe Cocker has been lost in the wilderness for so long that it’s doubtful
that fans who were drawn to his output during the late 1960s and early 1970s are
paying much attention anymore. Although he has knocked a few tunes out of the
park over the course of the past few decades, his outings haven’t been nearly as
satisfying as his debut With a Little Help from My Friends or its
eponymous successor. For the record, Hymn for My Soul, Cocker’s latest
endeavor — which was issued overseas more than a year ago — isn’t the answer
either. Nevertheless, it does go a long way toward reminding the world of his
once-commanding presence as an interpreter of other people’s songs.
In actuality, Cocker’s re-emergence began with the release of Heart and
Soul in 2004. While there wasn’t much hype surrounding the collection, it at
least signaled that Cocker was looking to reinvigorate his career. Hymn for
My Soul largely follows suit, and although the steps it takes toward
righting his ship are smaller, the outing clearly is meant to build upon its
predecessor, thereby becoming Cocker’s umpteenth attempt at making a comeback.
For an indication of what is at stake here, consider this: Hymn for My Soul’s
producer Ethan Johns not only is very much in demand these days, but he also is
the son of Glyn Johns, who served as an engineer on Cocker’s high-profile
project Mad Dogs & Englishmen and later helmed everything from The Who’s
Who’s Next to the Eagles’ first three albums. In addition, Heartbreaker
Benmont Tench, session drummer Jim Keltner, Motown bass player Bob Babbitt,
vocalist Merry Clayton from The Raelettes, and Jethro Tull’s Dave Palmer — among
others — join forces to provide the musical support to Cocker’s anguished
vocals.
Unlike I Can Stand a Little Rain, which crawled through the depths of
his alcohol-related troubles, Hymn for My Soul gravitates toward the
hurts-so-good blend of British rock and blue-eyed soul that Cocker, along with
Steve Winwood and Van Morrison, helped to establish 40 years ago. In this
regard, the outing is a credible attempt to recapture the luster that long has
been missing from Cocker’s work, and it sheds most of the lifeless mediocrity
that has plagued far too many of his endeavors. There are no reggae rhythms
designed to reinvent Cocker’s sound. Instead, he embraces the style of music
that most people expect him to deliver. Likewise, when he sings, Cocker’s pain
is apparent, but rather than feeling claustrophobic, the arrangements are
designed to be cleansing, liberating, and transcendent.
Unfortunately, this is where Hymn for My Soul misses its target.
Although he tackled some wonderful material — which runs the gamut from George
Harrison’s Beware of Darkness to Bob Dylan’s Ring Them Bells and
from Stevie Wonder’s You Haven’t Done Nothin’ to The Subdudes’ One
Word (Peace) — the approach that Cocker took to establishing the moods and
settings for his interpretations wasn’t terribly risky. Where his rendition of
With a Little Help from My Friends placed a radical spin upon Ringo
Starr’s rather genial recording with The Beatles, Cocker’s versions of The
Meters’ Love Is for Me and Dan Penn’s Don’t Give Up on Me sound as
if he merely is emulating Van Morrison and Ray Charles, respectively. On his
covers of John Fogerty’s Long as I Can See the Light and Percy Mayfield’s River’s Invitation, he pushes himself a little further, lending a weary air
to the former tune and adding a kind of feisty aggression to the latter one, but
he never really uncovers a new perspective for any of these selections.
To Cocker’s credit, none of the tracks on Hymn for My Soul are
terrible. In fact, they are all quite enjoyable, which in turn makes Hymn for
My Soul a rather sturdy outing. Nevertheless, Cocker could have used more of
the grit and grime that once were supplied by his Grease Band in order to push
him beyond his safety zone. Only then, would he be able to reclaim the legacy
that he allowed to slip away.   

Of Further Interest...
Eric Clapton - Reptile
Van Morrison - Keep It Simple
Steve Winwood - Nine Lives

Hymn for My Soul is available
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!

Copyright © 2008 The Music Box
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