Joe Cocker - Hymn for My Soul

Joe Cocker
Hymn for My Soul

(Fantasy)

First Appeared in The Music Box, June 2008, Volume 15, #6

Written by John Metzger

Mon June 9, 2008, 06:30 AM CDT

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Joe Cocker has been lost in the wilderness for so long that it’s doubtful that fans who were drawn to his output during the late 1960s and early 1970s are paying much attention anymore. Although he has knocked a few tunes out of the park over the course of the past few decades, his outings haven’t been nearly as satisfying as his debut With a Little Help from My Friends or its eponymous successor. For the record, Hymn for My Soul, Cocker’s latest endeavor — which was issued overseas more than a year ago — isn’t the answer either. Nevertheless, it does go a long way toward reminding the world of his once-commanding presence as an interpreter of other people’s songs.

In actuality, Cocker’s re-emergence began with the release of Heart and Soul in 2004. While there wasn’t much hype surrounding the collection, it at least signaled that Cocker was looking to reinvigorate his career. Hymn for My Soul largely follows suit, and although the steps it takes toward righting his ship are smaller, the outing clearly is meant to build upon its predecessor, thereby becoming Cocker’s umpteenth attempt at making a comeback. For an indication of what is at stake here, consider this: Hymn for My Soul’s producer Ethan Johns not only is very much in demand these days, but he also is the son of Glyn Johns, who served as an engineer on Cocker’s high-profile project Mad Dogs & Englishmen and later helmed everything from The Who’s Who’s Next to the Eagles’ first three albums. In addition, Heartbreaker Benmont Tench, session drummer Jim Keltner, Motown bass player Bob Babbitt, vocalist Merry Clayton from The Raelettes, and Jethro Tull’s Dave Palmer — among others — join forces to provide the musical support to Cocker’s anguished vocals.

Unlike I Can Stand a Little Rain, which crawled through the depths of his alcohol-related troubles, Hymn for My Soul gravitates toward the hurts-so-good blend of British rock and blue-eyed soul that Cocker, along with Steve Winwood and Van Morrison, helped to establish 40 years ago. In this regard, the outing is a credible attempt to recapture the luster that long has been missing from Cocker’s work, and it sheds most of the lifeless mediocrity that has plagued far too many of his endeavors. There are no reggae rhythms designed to reinvent Cocker’s sound. Instead, he embraces the style of music that most people expect him to deliver. Likewise, when he sings, Cocker’s pain is apparent, but rather than feeling claustrophobic, the arrangements are designed to be cleansing, liberating, and transcendent.

Unfortunately, this is where Hymn for My Soul misses its target. Although he tackled some wonderful material — which runs the gamut from George Harrison’s Beware of Darkness to Bob Dylan’s Ring Them Bells and from Stevie Wonder’s You Haven’t Done Nothin’ to The Subdudes’ One Word (Peace) — the approach that Cocker took to establishing the moods and settings for his interpretations wasn’t terribly risky. Where his rendition of With a Little Help from My Friends placed a radical spin upon Ringo Starr’s rather genial recording with The Beatles, Cocker’s versions of The Meters’ Love Is for Me and Dan Penn’s Don’t Give Up on Me sound as if he merely is emulating Van Morrison and Ray Charles, respectively. On his covers of John Fogerty’s Long as I Can See the Light and Percy Mayfield’s River’s Invitation, he pushes himself a little further, lending a weary air to the former tune and adding a kind of feisty aggression to the latter one, but he never really uncovers a new perspective for any of these selections.

To Cocker’s credit, none of the tracks on Hymn for My Soul are terrible. In fact, they are all quite enjoyable, which in turn makes Hymn for My Soul a rather sturdy outing. Nevertheless, Cocker could have used more of the grit and grime that once were supplied by his Grease Band in order to push him beyond his safety zone. Only then, would he be able to reclaim the legacy that he allowed to slip away. starstarstar

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Of Further Interest...

Eric Clapton - Reptile

Van Morrison - Keep It Simple

Steve Winwood - Nine Lives

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Hymn for My Soul is available
from Barnes & Noble. To order, Click Here!

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Ratings

1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!

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Copyright © 2008 The Music Box