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Big Mama Thornton
Vanguard Visionaries
(Vanguard)
First Appeared in The Music Box, January 2008, Volume 15, #1
Written by Douglas Heselgrave
Thu January 31, 2008, 09:30 AM CST
Big Mama Thornton was a righteous performer, who was as brassy and bold as
her name suggests. Though primarily known by music historians as the singer
whose recordings of Hound Dog and Ball and Chain caught the
attention of Elvis Presley and Janis Joplin, respectively, her actual legacy
goes well beyond her original versions of these songs.
Willie Mae Thornton was born in 1926, and as the daughter of a minister, her
musical career began in the Baptist church, where she and her six siblings began
to sing from a very young age. She ran away from home at the age of 14 to pursue
a career in secular music. She joined The Hot Harlem Revue and toured the
southern states until she moved to Texas and started to perform on her own. She
began her recording career working for Peacock — a black music label based in
Houston — and she worked under the moniker of Big Mama Thornton, a name she was
given due to her height of more than six feet and to her weight, which pushed
upwards of 400 pounds.
Thornton was a great multi-instrumentalist, and her ability to belt out a
tune granted her a ferocious stage presence. She scored her first hit with Hound Dog in 1953, and the song rested at the #1 spot on the R&B chart for
seven weeks. She kept touring and playing in black clubs until the early 1960s
when the popularity of a new brand of R&B music sounded the death knell for her
raunchy style of blues.
Thornton continued to perform in concert whenever she could, though she
suffered in obscurity until Janis Joplin’s version of Ball and Chain
rekindled interest in her trademark sound. This time, her audience was primarily
young and white. She continued to record for Arhoolie, Mercury, and Vanguard
until her health reached a point in the 1970s when she had to stop touring.
Years of hard drinking and partying combined with her excessive weight took
their toll, and she lived in quiet retirement until her death in 1984.
Thornton is a pivotal figure in music. It is a shame that her installment of
the Vanguard Visionaries series doesn’t do justice to her legacy. Though
many of her greatest songs are presented in the disc’s meager 10 tracks, the
versions that have been collected are not the original pressings that were
recorded in the ’40s and ’50s. Instead, they are live cuts that were taken from
her university and blues club tours of the 1970s. While Thornton’s voice is
still in fine form, the arrangements are all wrong. Clearly, they were designed
to recreate Janis Joplin’s sound, and consequently, they aren’t accurate
representations of her own hits. The result is that Thornton sounds generic
rather than incendiary.
By all means, Big Mama Thornton’s music deserves more attention than it has
received, but Vanguard Visionaries provides a poor overview of her
career. Like the other installments in the series, the set contains no liner
notes, and it boasts merely 10 songs. It is a pitiful tribute to a tremendous
artist. Her original recordings for Peacock are all available at a very
reasonable price, and her concert set With the Muddy Waters Blues Band — 1966
is also quite remarkable. In fact, nearly everything else she has on the market
is better than this hastily compiled collection. 
Other Artists Featured in the Vanguard Visionaries Series
James Cotton
Mississippi John Hurt
Odetta
Doc Watson
Junior Wells
Vanguard Visionaries is available from
Amazon.com. To order, Click Here!
For Canadian orders, please
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For UK orders, please
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2008 The Music Box
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