|
| |
Donna the Buffalo
Silverlined
(Sugar Hill)
First Appeared in The Music Box, July 2008, Volume 15, #7
Written by John Metzger
Tue July 22, 2008, 06:30 AM CDT
Jam bands that improve with age are rare commodities. Witness the trials and
tribulations that have surrounded the once mighty trifecta of Blues Traveler,
Widespread Panic, and Phish. All three outfits have been stumbling aimlessly for
the better part of the past decade, and their flashes of brilliance have become
more and more infrequent with each passing year. Yet, these groups — or in the
case of Phish, their individual members — continue to draw enough of a crowd
whenever they perform that they typically serve as anchors for a certain segment
of the summer season’s festival circuit. With no one stepping up to replace the
tired veteran acts, it’s easy to see why fans, especially those who are focused
upon the music rather than the scene, have lost hope that the genre will ever
pull itself out of its downward spiral.
There is, however, a glimmer of light flickering on the horizon, and 2008
very well may prove to be the year in which everything turns around, at least
for the roots-oriented side of the jam band scene. Its improbable resurrection
has come from a pair of unlikely sources, too: In June, Railroad Earth recovered
from its flawed affair The Good Life by unveiling Amen Corner, a
career-defining collection of material that sounded less like a jam-friendly
outing than it did a long-lost, Americana-imbued masterpiece. Following closely
on its heels, Donna the Buffalo has issued Silverlined, a 13-track song
cycle that puts to rest the notion that maturity and stagnation typically travel
hand-in-hand. Although the set isn’t quite on par with Railroad Earth’s
sparkling gemstone, it is a marked improvement over the group’s previous
endeavors, which is saying something considering that the ensemble currently is
celebrating the 21st year of its existence.
Like many of the better outfits on the jam band scene, Donna the Buffalo has,
over the course of its career, built its reputation as much — if not more — on
its ability to craft songs as it has upon its penchant for improvisation.
Thematically, on Silverlined, as Tara Nevins weaves tales of troubled
relationships and broken hearts, Jeb Puryear explores the global spectrum of
politics and war in a troubled world. Using its past as a template, Donna the
Buffalo, once again, folds reggae grooves around its folk-rock fare, and it
neatly polishes the results without losing touch with the organic essence of its
compositions. Without a doubt, Silverlined could have benefited from a
better narrative flow, particularly during its latter half, but this seems to be
the only piece to the puzzle that remains absent from the group’s formula.
It’s not an easy feat to intertwine material that was penned by two
songwriters whose styles are strikingly different: Multi-instrumentalist Nevins
favors arrangements that oscillate between the country musings of Dolly Parton
and the alternative-pop forays of 10,000 Maniacs, while guitarist Puryear’s
contributions lean toward the gloriously ragged domains of Willie Nelson and Bob
Dylan. In truth, Nevins and Puryear are like night and day, and one undeniably
couldn’t survive — or at least fare nearly as well — without the other. Although
they follow paths that initially appear to stand in opposition, their output has
grown together, over time, to become highly complementary. Consequently, Donna
the Buffalo is able to shift from the Bangles-meets-Go Gos romp of Broken
Record to Meant to Be’s strangely distinctive blend of Dylan and
Fleetwood Mac to a complete fusion of The Beatles, the Grateful Dead, and Motown
on Biggie K without skipping a beat.
Even so, it’s the subtle touches that flicker through Silverlined that
help not only to illuminate its individual tracks but also to bind the set
together. Bela Fleck’s banjo accompaniment skips gently beneath the surface of
Locket and Key, for example, while the plot twist that occurs in The
Call is both enhanced and countered by the luminescent guitar solo that
carries the tune to its conclusion. Bands that have been around the block as
many times as Donna the Buffalo typically begin to fall into repetitive patterns
that reap diminishing returns. Breaking from the pack, the group called upon its
friends — David Hidalgo, Catherine Russell, and Amy Helm, among them — to lend
their quiet support to the affair. The result is that Silverlined is an
understated endeavor that finds its resonance whenever listeners least expect
it.  ½
Of Further Interest...
Dolly Parton - Coat of Many Colors
Catherine Russell - Sentimental Streak
Abigail Washburn - Abigail Washburn & the Sparrow Quartet
Silverlined is available from Amazon.
To order, Click Here!
For Canadian orders, please
Click Here!
For UK orders, please
Click Here!
Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2008 The Music Box
|
